This milliner is also a journalist – as you can imagine, the link between the two isn’t that obvious, so I needed a hat to bridge the gap between my two worlds. Also, I needed some fabric hat experience; the Guru advises that making a fabric hat is imperative for developing couture millinery skills.
Inspired by one of the most popular newspaper cartoons (and a bit jealous of the man’s Barbour cap that is too big for me), I ventured to make a classic British flat cap.
First, the fabric; I am not a fan of cheque, unless it’s really chic. So I went for a 100% cotton velvet cord, in a lovely coutnryside forest green.
To get started, I was lucky that the Guru had the right block – she, too, is a classicist, so we went for the very basic gentleman’s flatcap shape with the block
Block chosen, it was swiftly put to one side, as the first steps of the flatcap making actually involve mainly the ‘cap’ part of the flatcap.
The cap is made very much like a couture headband. Using tarlatan, stayflex interfacing and millinery wire (medium, as it’s for the brim effectively).
First I cut out some fabric using a pattern, drawn out by roughly tracing around the cap part of the block.
Then, I ironed on the interfacing and tarlatan (allowing a 1-2cm seam allowance all round), and attached a wire to the brim and covered with the outside seam of the fabric, like so (stage 1).
In order to allow the curve of the cap to join to the rest of the hat, I cut 5mm indents into the inside part of the brim. I was careful to stitch a guide, so that the indents didn’t go too far in.
Finally, it was time to cover the inside of the cap with the matching fabric. Using the same pattern, I cut out another piece of the fabric and lined the inside with interfacing (ironing very carefully, as the fabric had a pile which could easily lose it’s shape). The result was then stitched to the rest of the cap, using an invisible stitch (stage 2).
Once both sides of the cap were covered, it was time to iron it using the special velvet board. The technique for this is as follows: instead of your traditional ironing by arm stroke, just softly place the iron onto the cap and lift every now and then, so as not to damage the fabric pile by sweeping the iron around. Any indents/creases in pile fabric are usually not fixable and, especially in this case, would be on the front and, therefore, most visible part of the hat.
Et voila, Jeff’s cap finished! Stay tuned for Jeff, Vol II.